A standout amongst the most innovative and actually splendid chiefs of contemporary Hindi cinema is Sanjay Leela Bhansali. He began his movie vocation by helping Vidhu Vinod Chopra where he got an opportunity to show a look at his visual brightness by picturizing the tune 'Kuch Na Kaho' from '1942: A Love Story' in 1994. He coordinated his first film 'Khamoshi: The Musical' in 1996 which had extraordinary music yet fizzled financially. His next endeavor 'Murmur Dil De Chuke Sanam' was a major achievement and set the tone for greater movies. The melodies in his movies are nothing not as much as excellent. The way he considers and executes them is an occasion without anyone else's input. He investigates each subtleties of it to make it noteworthy and a visual treat. Let’s watch at some of his best picturized songs which have left a lasting impression in the minds of cine-goers.
Pinga (Bajirao Mastani – 2015)
Another deadly blend of Deepika Padukone and Priyanka Chopra who play spouses to Bajirao Mastani, the Maratha warrior played by Ranveer Singh. The tune is luxuriously picturised on a Marathi set where Kashibai respects the warrior ruler Mastani in a fabulous night of move and festivity. Rendered by Shreya Ghoshal and Vaishali Made, it is formed by Sanjay Leela Bhansali and penned by Siddharth Garima.
Nagada Sang Dhol (Goliyon Ki Rasleela : Ram-Leela - 2013)
'Nagada Sang Dhol' components Gujarat's fabulous celebration festivity in Sanjay Leela Bhansali present day tackle Romeo Juliet highlighting Deepika Padukone and Ranveer Singh in the principle leads. The melody is sung by Shreya Ghoshal and Osman Mir with music by Sanjay Leela Bhansali and verses by Siddharth-Garima. The melody oozes the power of the characters delightfully.
Udi Teri Aankhon Se (Guzaarish - 2010)
This melody was extraordinary in its own particular style which included Hrithik Roshan, Aishwarya Rai and Aditya Roy Kapur. This song from "Guzaarish" was effectively one of the best structures of Sanjay Leela Bhansali who turned full-time music chief. The tune is sung by song ruler Sunidhi Chauhan and Shail Hada and penned by Turaz.
Jab Se Tere Naina (Saawariya – 2007)
'Jab Se Tere Naina' was an imaginative articulation of adoration from the expert skilled worker. With Ranbir Kapoor making his introduction alongside Sonam Kapoor in the film, this melody was stand-out which went ahead to be known as the 'towel dance'. Excellent rendered by Shaan the tune was made by Monty Sharma.
Maar Dala (Devdas – 2002)
One of the excellent picturized tune in the film sung by the adaptable Kavita Krishnamurthy, 'Maar Dala' highlights Madhuri Dixit and Shahrukh Khan. Madhuri's outfit measured a simple 20 kgs for this melody created by Ismail Darbar. One of the highlights of this film was this "mujra" number which likewise was one of the last picturised mujra tunes of Hindi silver screen.
Dola Re Dola (Devdas – 2002)
One of the historic point tunes of Indian film which had seen Hindi screens two endless marvels, Madhuri Dixit and Aishwarya Rai having the same edge. 'Dola Re Dola' was a conventional move number choreographed by Saroj Khan which was sung by Kavita Krishnamurthy, Shreya Ghoshal and K.K. Music was by Ismail Darbar and Monty Sharma. "Devdas" was Sanjay Leela Bhansali's interpretation of Sarat Chandra Chatterjee's great novel by the same name.
Dholi Taro Dhol Baaje (Hum Dil De Chuke Sanam – 1999)
Another stupendous tune picturized on a fantastic scale, 'Dholi Taro' got the extravagant of move sweethearts amid Navratri's. Sung by Vinod Rathod, Kavita Krishnamurthy and Karsan Sagathia, it had music by Ismail Darbar and was picturized on Salman and Aishwarya Rai.
Nimbooda (Hum Dil De Chuke Sanam – 1999)
One of Sanjay Leela Bhansali's stupendous move number 'Nimbooda' was sung by Kavita Krishnamurthy and Karshan Sargathia and made by Ismail Darbar. Aishwarya Rai was in top structure as Saroj Khan choreographed the melody which brought her that year's Filmfare honor for best choreographer.
Yeh Dil Sun Raha Hai (Khamoshi : The Musical - 1996)
Rendered by Kavita Krishnamurthy and made by Jatin-Lalit, this tune however not mounted on a stupendous canvas, regardless it went ahead to touch numerous a hearts. Manisha who is recording her first tune gets her folks (who are hard of hearing and quiet) to watch her. The expression between the guardians and little girl is justified regardless of a look as Salman looks on.
Aaj Main Upar (Khamoshi : The Musical - 1996)
This melody means Manisha's bliss when she gets her first collection recording offer as she is joined by Salman Khan later. Sung by Kavita Krishnamurthy and Kumar Sanu, the melody went ahead to wind up one of the chartbusters of 1996 which was formed by Jatin-Lalit and penned by Majrooh Sultanpuri. The film may have not done well in the cinema world but rather the music is still played and acknowledged