Be it a film, an occasion or a wedding which courageous woman wouldn't like to wear a Manish Malhotra creation? One of India's best form fashioners, he has been administering the perch in Bollywood throughout the previous two decades by making performing artists look staggering on screen. His capacity to outline styles suiting characters has been amazing. Outlining ensembles for champions like Urmila Matondkar, Madhuri Dixit, Kajol, Karisma Kapoor, Juhi Chawla, Kareena Kapoor, Rani Mukherji, Aishwarya, Priyanka Chopra… etc and Manish has them on his perpetually developing rundown. We take a gander at a portion of the songs where his manifestations have added to the picturization of it as well as have gotten to be trailblazers.
Teri Meri Prem Kahani (Bodyguard - 2011)
This melody turned into the highlight of the film where Kareena in a dark chiffon communicates her anguish of not getting Salman's adoration. Set to the tune of Himesh Reshammiya, the tune was sung by Rahat Fateh Ali Khan and Shreya Ghoshal.
Tanha (Rangeela - 1995)
Presumably, Manish's first film where he gave Urmila a makeover which added to the accomplishment of this Ram Gopal Varma love-triangle. The outfits of Urmila in each melody left gatherings of people requesting more. A considerable measure of on-screen characters began wearing what she wore in the 'Tanha' tune sung by Asha Bhosle to the tune of AR Rahman.
Mehendi laga ke rakhna(Dilwale Dulhania Le Jayenge - 1995)
Indeed, what is left to be said in regards to Kajol's outfits in 'Dilwale Dulhania Le Jayenge'. Each melody and outfits was a historic point however the 'Mehendi laga ke rakhna' tune took the cake where she wears a green lehenga made by Manish which turned into the national dress for all wedding ladies in India. 'Tujhe dekha' too saw the on-screen character wearing a couple of life-changing manifestations of the originator.
Dholna (Dil To Pagal Hai – 1997)
Shahrukh Khan's "Maya" played by Madhuri in this Yash Chopra triangle romantic tale made them wear Manish's best ever Indianised outfits. The suits and sarees fitted her o the T as Lata Mageshkar and Udit Narayan murmured to the tune of Uttam Singh which was penned by Anand Bakshi.
Kathai Aankhon Wali (Duplicate - 1998)
Juhi Chawla looked hypnotizing in these Manish Malhotra outfits which makes Shahrukh warble this melody where Kumar Sanu loans his voice to Anu Malik's tunes.
Humko Humise Chura Lo (Mohabbatein – 2000)
Another Yashraj generation which saw the secretive Aishwarya romancing Shahrukh in the absolute best of chiffons. Rendered by Lata Mangeshkar and Udit Narayan, the melody was created by Jatin Lalit and composed by Anand Bakshi.
Shukriya (Hamara Dil Aapke Paas Hai – 2000)
Aishwarya was at her top that year with Manish getting to be synonymous with each film of hers. The previous Miss World was taking care of business in this film which had excellent areas to run with this tune. Sung by Udit Narayan Jha and Alka Yagnik, it was created by Sanjeev-Darshan.
Suraj Hua Madham (Kabhi Khushi Kabhie Gham... - 2001)
'Suraj Hua Maddham' was picturized at stunning areas and adding to the estimation of the tune was Kajol's beguiling outfits. This chartbuster melody was sung by Alka Yagnik and Sonu Nigam and set to the tune of Jatin Lalit and Sandesh Shandilya.
Saathiya(Saathiya – 2002)
Rani's dresses were as opposed to the areas of this Gulzar tune. Each creation that Rani wore had the Manish Malhotra stamp on it. Sung by Sonu Nigam and made by A.R. Rahman, the number has ended up one of Sonu's mark tunes, throughout the years.
Maahi Ve (Kal Ho Naa Ho – 2003)
This wedding extraordinary melody had Preity Zinta wearing a sky blue lehenga by the architect which saw a ton of ladies wearing it for their own particular weddings. The tune turned into a chartbuster which helped Preity sack that years Filmfare trophy for 'Best Actress'. Sung by Sadhana Sargam, Sujata Bhattacharya, Udit Narayan, Sonu Nigam and Shankar Mahadevan and created by Shankar Ehsaan Loy.
Tumhe Jo Maine Dekha (Main Hoon Na - 2004)
Sushmita never looked so great in some other film since she got to be Miss Universe. Playing a school teacher, she needed to look basic and alluring which she did with élan in each edge of this Farah Khan directorial debut film. Sung by Abhijeet and Shreya Ghosal it had music by Anu Malik.
Tumhi Dekho Na (Kabhi Alvida Na Kehna – 2006)
This sentimental number showcases Rani taking care of business on-screen with Shah Rukh Khan. Each formation of the architect was in a state of harmony with the props and foundation to run with it. Rendered by Sonu Nigam and Alka Yagnik and made by Shankar Ehsaan Loy, the tune keeps on frequenting audience members even following 10 years of its discharge.
Desi Girl (Dostana – 2008)
Young ladies and young men went gaga over desi young lady Priyanka's creator saree who got charmed by John and Abhishek in this number as both succumb to her. Sung by Shankar Mahadevan, Sunidhi Chauhan and Vishal Dadlani, it was penned by Kumaar and created by Vishal and Shekhar.
Zoobi Doobi (3 Idiots – 2009)
Kareena Kapoor just looked so stunning in the saree making temperatures take off in this melody murmured by Sonu Nigam and Shreya Ghoshal. The melody was penned by Swanand Kirkire and set to the tune of Shantanu Moitra.
Sadka (I Hate Luv Storys – 2010)
Ostensibly, the first occasion when that Sonam Kapoor looked so enticing in this Manish Malhotra creation. Imran Khan begins to look all starry eyed as he is hypnotized and stricken by Sonam in this number. Sung by Suraj Jagan and Mahalaxmi Iyer and set to the tune of Vishal and Shekhar, numerous considered this tune picturization to be the highlight of the film.